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“How many we are! How many of us fool ourselves! What seas crash in us, in the night when we exist, along the beaches that we feel ourselves to be, inundated by emotion! All that was lost, all that should have been sought, all that was obtained and fulfilled by mistake, all that we loved and lost and then, after losing it and loving it for having lost it, realized we never loved; all that we believed we were thinking when we were feeling; all the memories we took for emotions; and the entire ocean, noisy and cool, rolling in from the depths of the vast night to ripple over the beach, during my nocturnal walk to the seashore…”
Fernando Pessoa, The Book of Disquiet
Pessoa has influenced me quite a lot both in how I feel about poetry overall and the kind of overtones I deal with in my own writing. His melancholy and the way he winds that up in verse is beautiful. Do suggest me your favorites from Pessoa. Another note is that, for much of the poems I’ve not been able to find the exact source or year which is only unfortunate but I’m always trying to find them out!
Uncollected Fragments
Say nothing to the one who told you all –
that all, the all that’s never told…
those words made of velvet
whose shade of color no one knows.
Say nothing to one who bares their soul…
the soul that cannot be bared. Confession
is indulged in simply to win calm
from listening to ourselves talking.
All useless, and false.
It’s a spinning top a boy in the street
sets going to see how it spins.
It spins. Say nothing.
I have in me like a mist
that is and contains nothing
nostalgia for nothing at all,
the desire for something fine.
I am enveloped by it
as if by a fog
and I see the last star glowing
above the stub in my ashtray
I smoked life away. How uncertain
all I saw or read!
And the whole world, a vast open book,
smiles at me in an unknown language.
The poet is a pretender,
who pretends so completely
he even pretends to pain
the pain he really feels.
And those who read what he writes,
reading of pain, feel truly
neither of those pains he has,
but what they themselves have not.
So round its track goes
wheeling, to entertain our reason,
this string of carriages
they call the heart.
The only hidden meaning of things
Is that they have no hidden meaning.
It’s the strangest thing of all,
Stranger than all poets’ dreams
And all philosophers’ thoughts,
That things are really what they seem to be
And there’s nothing to understand.
Yes, this is what my senses learned on their own:
Things have no meaning: they have existence.
Things are the only hidden meaning of things.
I am tired, that is clear,
Because, at certain stage,
people have to be tired.
Of what I am tired, I don’t know:
It would not serve me at all to know
Since the tiredness stays just the same.
The wound hurts as it hurts
And not in function of the cause that produced it.
Yes, I am tired,
And ever so slightly smiling
At the tiredness being only this -
In the body a wish for sleep,
In the soul a desire for not thinking
And, to crown all, a luminous transparency
Of the retrospective understanding …
And the one luxury of not now having hopes?
I am intelligent: that’s all.
I have seen much and understood much of what I
have seen.
And there is a certain pleasure even in tiredness
this brings us,
That in the end the head does still serve for something.
Your eyes go sad. You’re not
Listening to what I say.
They doze, dream, fade out.
Not listening. I talk away.
I tell what I’ve told, out of listless
Sadness, so often before …
I think you never listened,
So you’re away you are.
All of a sudden, an absent
Stare, you look at me, still
Immeasurably distant,
You begin a smile.
I go on talking. You
Go on listening - your own
Thoughts you listen to,
The smile as good as gone,
Until, through the loafing
Afternoon’s waste of while,
The silence self-unleafing
Of your useless smile.
From A Little Larger Than the Entire Universe : Selected Poems
Albert Caeiro
The Shepherd in Love
The moon is high up in the sky and it’s spring.
I think of you and within myself I’m complete.
A light breeze comes to me from across the hazy fields.
I think of you and whisper your name. I’m not I: I’m happy.
Tomorrow you’ll come and walk with me and pick flowers in
the fields.
And I’ll walk with you in the fields watching you pick
flowers.
I already see you tomorrow picking flowers with me in the fields,
But when you come tomorrow and really walk with me and
pick flowers,
For me it will be a joy and a novelty.
10th July, 1930 (Unable to sleep…)
Unable to sleep, I spent the whole night seeing her figure all
by itself
And seeing it always in ways different from when I see her in
person.
I fashion thoughts from my memory of how she is when she
talks to me,
And in each thought she’s a variation on her likeness.
To love is to think.
And from thinking of her so much, I almost forget to feel.
I don’t really know what I want, even from her, and she’s all I
think of.
My distraction is as large as life.
When I feel like being with her,
I almost prefer not being with her,
So as not to have to leave her afterwards.
And I prefer thinking about her, because I’m a little afraid of
her as she really is.
I don’t really know what I want, and I don’t even want to
know what I want.
All I want is to think her.
I don’t ask anything of anyone, not even of her, except to let
10th July, 1930 (Love is a company…)
Love is a company.
I no longer know how to walk the roads alone,
For I’m no longer able to walk alone.
A visible thought makes me walk faster
And see less, and at the same time enjoy all I see.
Even her absence is something that’s with me.
And I like her so much I don’t know how to desire her.
If I don’t see her, I imagine her and am strong like the tall
trees.
But if I see her I tremble, I don’t know what’s happened to
what I feel in her absence.
The whole of me is like a force that abandons me.
All of reality looks at me like a sunflower with her face in the
middle.
Uncollected Poems
I don’t know how anyone can think a sunset is sad,
Unless it’s because a sunset isn’t a sunrise.
But if it’s a sunset, how could it ever be a sunrise?
Pessoa, Songbook
I don’t know who I am right now. I dream.
Steeped in feeling myself, I sleep. In this
Calm hour my thought forgets its thinking,
My soul has no soul.
If I exist, it’s wrong to know it. If I
Wake up, I feel I’m mistaken. I just don’t know.
There’s nothing I want, have, or remember.
I have no being or law.
A moment of consciousness between illusions,
I’m bounded all around by phantoms.
Sleep on, oblivious to other people’s hearts,
O heart belonging to no one!
Amidst my anguish over who I am
A thought lifts its brow straight up,
Like a tower. In the vast solitude
Of a soul all alone it’s as if
My heart possessed knowledge and a brain.
I consist of an artificial bitterness,
Faithful to I don’t know what idea.
Like a make-believe courtesan, I don
Majestic robes in which I exist
For the artificial presence of the king.
Yes, all I am and want are but dreams.
Everything slipped out of my slack hands.
I wait forlornly, arms just hanging there—
A beggar who, having spent all his hopes,
Would ask for charity but doesn’t dare.
Ricardo Reis
I love what I see because one day
I’ll stop seeing it. I also
Love it because it is.
In this calm moment when I feel myself
By loving more than by being,
I love all existence and myself.
No better thing could the primitive gods
Give me, were they to return—
They, who also know nothing.
I want the flower you are, not the one you give.
Why refuse me what I don’t ask of you?
You’ll have time to refuse
After you’ve given.
Flower, be a flower to me! If, ungenerous, you’re plucked
By the hand of the ill-omened sphinx, you’ll wander forever
As an absurd shadow,
Seeking what you never gave.
Alvaro de Campos
Ah the twilight, nightfall, the lights turning on in big cities,
And the hand of mystery that stills the hubbub,
And the weariness weighing on everything in us, hindering
An active and accurate feeling of Life!
Each street is a canal in a Venice of tediums,
And how mysterious the unanimous end of the streets
When the night falls, O my master Cesário Verde,
Who wrote “Sentiment of a Westerner”!
What profound restlessness, what longing for other things
That aren’t countries or moments or lives!
What longing for perhaps other kinds of moods
Inwardly moistens this lingering, remote instant!
A horror that sleepwalks among the city’s first lights,
A mild and fluid terror that leans against street corners
Like a beggar waiting for impossible sensations
Without knowing who might bestow them . . .
When I die,
When I go away—ingloriously, like everyone—
Down that road whose very idea we can’t face directly,
Through that door we’d never take if we could choose,
Toward that port that’s unknown to the captain of the Ship,
Let it be at this hour of day, worthy of all the tedium I’ve
suffered,
This ancient and spiritual and mystical hour,
This hour in which perhaps, much longer ago than it seems,
Plato, dreaming, saw the idea of God
Shaping body and existence as something perfectly plausible
In his thoughts externalized like a field.
Let it be at this hour that you take me off to be buried,
At this hour when I don’t know how to live,
When I don’t know what to feel or pretend I feel,
At this hour whose mercy is tortured and excessive,
Whose shadows come from something other than things,
Whose passing drags no robes over the ground of
Sensible Life
Nor leaves any fragrance on the paths of Sight.
Cross your hands on your knee, O consort I don’t have or
wish to have,
Cross your hands on your knee and look at me in silence
At this hour when I can’t see that you’re looking at me,
Look at me in silence and in secret, and ask yourself
–You who know me–who I am…
Books/collections from Pessoa you might like: